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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

• Original language: English
• Dimensions: 9.00" h x 6.00" w x .22" l, .30 pounds
• Binding: Paperback

Review
“What a treat to have another Gilman novel—until now largely ignored—available. We are indebted to Duke University Press for publishing it as a separate piece and to Dana Seitler for her provocative and stimulating introduction. The Crux is in many ways a period piece embodying what today seems outmoded and sometimes outrageous views. Oddly, these same views are also startlingly and wickedly relevant today.”—Ann J. Lane, author of To Herland and Beyond: The Life and Work of Charlotte Perkins Gilman


“With reproductive technologies at the center of feminist, medical, and national debate, The Crux offers a fascinating historical perspective on the relationship of reproduction and nationalism. Dana Seitler's introduction offers a useful context in which to read Charlotte Perkins Gilman's quirky, biology-based feminism, her depiction of a women's community in the west, and, generally, the relationship between fiction-writing and the fashioning of gender roles that fueled Gilman's particular brand of activism.”—Priscilla Wald, author of Constituting Americans: Cultural Anxiety and Narrative Form

From the Back Cover
"With reproductive technologies at the center of feminist, medical, and national debate, "The Crux" offers a fascinating historical perspective on the relationship of reproduction and nationalism. Dana Seitler's introduction offers a useful context in which to read Charlotte Perkins Gilman's quirky, biology-based feminism, her depiction of a women's community in the west, and, generally, the relationship between fiction-writing and the fashioning of gender roles that fueled Gilman's particular brand of activism."--Priscilla Wald, author of "Constituting Americans: Cultural Anxiety and Narrative Form"

About the Author
harlotte Perkins Gilman (July 3, 1860 – August 17, 1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper" which she wrote after a severe bout of postpartum psychosis. t the age of five, Gilman taught herself to read because her mother was ill. Her mother was not affectionate with her children. To keep them from getting hurt as she had been, she forbade her children to make strong friendships or read fiction. In her autobiography, The Living of Charlotte Perkins Gilman, Gilman wrote that her mother showed affection only when she thought her young daughter was asleep. Although she lived a childhood of isolated, impoverished loneliness, she unknowingly prepared herself for the life that lay ahead by frequently visiting the public library and studying ancient civilizations on her own. Additionally, her father's love for literature influenced her, and years later he contacted her with a list of books he felt would be worthwhile for her to read. Much of Gilman's youth was spent in Providence, Rhode Island. What friends she had were mainly male, and she was unashamed, for her time, to call herself a "tomboy." She attended seven different public schools, and was a correspondent student of the Society to Encourage Studies at Home but studied only until she was fifteen. Her natural intelligence and breadth of knowledge always impressed her teachers, who were nonetheless disappointed in her because she was a poor student. Her favorite subject was "natural philosophy," especially what later would become known as physics. In 1878, the eighteen-year-old enrolled in classes at the Rhode Island School of Design with the monetary help of her absent father, and subsequently supported herself as an artist of trade cards. She was a tutor, and encouraged others to expand their artistic creativity. She was also a painter. In 1884, she married the artist Charles Walter Stetson after initially declining his proposal because a gut feeling told her it was not the right thing for her. Their only child, Katharine Beecher Stetson.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Essential, entertaining reading for Gilman fans
By A Customer
The Crux is essential reading for anyone seriously interested in the writings of Charlotte Perkins Gilman, and Jennifer S. Tuttle's is to be commended for bringing it to readers in this excellent edition. After having read most of Gilman's other fiction, I will admit that I put off reading this one because of its reputation as "the book about venereal disease" (sexually transmitted diseases). I feared it would be didactic, heavy handed, and depressing. Instead, it's like the best of Gilman's "optimistic reform" books: it treats its serious subject with a light touch, conveying its important ideas through appealing characters and a strong plot with Gilman's typical "happy ending." (Some readers might argue that the ending is a bit implausible, but that's part of the interest of this set of Gilman's writings.) At times, it is laugh-out-loud funny. Also, it's not entirely accurate to say that the book is "about" venereal disease, for although the last third of the book discusses the dangers women faced from sexually transmitted diseases in the years before adequate cures had been discovered, there is much more to the story. It portrays the opportunities for self discovery open to women who move from the stultifying conditions of New England villages to the open life in a new city in the Colorado mountains. The women characters (on whom the story focuses) range from young unmarried women to a seemingly dried-up old maid, a woman doctor, and one of literature's most delightful grandmothers.
My only serious objection to this edition is that University of Delaware Press, for some unaccountable reason, has elected to publish this book only in an expensive hardback edition. The story, along with Tuttle's illuminating introduction and clear explanatory notes, would be highly suitable as a teaching text if the book were available in a reasonably-priced paper edition.

2 of 2 people found the following review helpful.
Should be studied more often
By Monica Rico
_The Crux_ isn't "great literature" but it is well worth reading for the insight into Charlotte Perkins Gilman's thinking about sexuality, gender, and health. In this text, you can trace some of the elements of her belief in eugenics, intertangled with her conviction that women should have satisfying careers and independent lives. In other words, as with so many of Gilman's contemporaries, the ideas that we think of as "progressive" and "reactionary" were, in this era, mutually constitutive. _The Crux_ makes for fascinating reading and lively discussion.

1 of 1 people found the following review helpful.
Recommended read, it's always interesting to see where Gilman ...
By Liz C
This is a fairly quick read of a book, longer than Gilman's usual short story, but not something that would take weeks to read either. This particular copy is a bit different than most books. This one is a reprint of a "historic book" which in this case seems to mean the original page numbers happen to be in the middle of paragraphs, sentences and sometimes even words. It's a bit distracting at first, but you get used to it after a page or two. Each page is laid out in three columns, and the whole thing is the size of a composition notebook, though not nearly as thick. If that layout would distract you, there are other printings available in "regular" paperback size, some are even anthologies. Recommended read, it's always interesting to see where Gilman went with her various works.

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[V554.Ebook] Fee Download The Oxford Dictionary of Architecture (Oxford Paperback Reference), by James Stevens Curl, Susan Wilson

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Containing over 6,000 entries from Aalto to Zwinger and written in a clear and concise style, this authoritative dictionary covers architectural history in detail, from ancient times to the present day. It also includes concise biographies of hundreds of architects from history (excluding living persons), from Sir Francis Bacon and Imhotep to Liang Ssu-ch'eng and Francis Inigo Thomas. The text is complemented by over 260 beautiful and meticulous line drawings, labelled cross-sections, and diagrams. These include precise drawings of typical building features, making it easy for readers to identify particular period styles.

This third edition of The Oxford Dictionary of Architecture has been extensively revised and expanded, with over 900 new entries including hundreds of definitions of garden and landscape terms such as Baroque garden, floral clock, hortus conclusus, and Zen garden-design. Each entry is followed by a mini-bibliography, with suggestions for further reading. With clear descriptions providing in-depth analysis, it is invaluable for students, professional architects, art historians, and anyone interested in architecture and garden design, and provides a fascinating wealth of information for the general reader.

• Sales Rank: #1283913 in Books
• Published on: 2015-05-19
• Original language: English
• Number of items: 1
• Dimensions: 6.40" h x 2.50" w x 9.30" l, 3.57 pounds
• Binding: Hardcover
• 1104 pages

Review

"Curl and Wilson's offering and its online version are highly recommended for breadth, conciseness, clarity, and intelligent organization."-- R.T. Clement, CHOICE

About the Author

James Stevens Curl is a leading architectural historian. His many books include Funerary Monuments & Memorials in St Patrick's Cathedral, Armagh (2013); Freemasonry & the Enlightenment: Architecture, Symbols, & Influences (2011-an earlier version of which won (1992) the Sir Banister Fletcher Award as Best Book of the Year); Spas, Wells, & Pleasure-Gardens of London (2010); Victorian Architecture: Diversity & Invention (2007); and The Honourable The Irish Society and the Plantation of Ulster, 1608-2000 (2000). He contributed to, and edited, the scholarly monograph Kensal Green Cemetery: The Origins and Development of the General Cemetery of All Souls, Kensal Green, London, 1824-2001 (2001), the first major study of any nineteenth-century cemetery in the world. He is a Member of the Royal Irish Academy, was twice Visiting Fellow at Peterhouse, University of Cambridge, and is currently Professor of Architecture at the University of Ulster.

Susan Wilson is an historian with an especial interest in garden architecture, landscape aesthetics, and places of commemoration. Her doctorate was conferred (2010) by the University of Bristol for her study of the 'Swiss Garden Cottage: the origins of the chalet-style in British architecture'. She published her early findings in Exercises in Translation: Swiss-British Cultural Exchange (2006). In 2013 she chaired an interdisciplinary conference-session on the Rustic Tradition in Garden Art in New York. She taught the history of the applied and decorative arts at Chelsea College of Art and Design (2000-6), and gained recognition for her teaching practice as a Fellow of The Higher Education Academy (2007). She has collaborated with Professor Stevens Curl on this edition of the Dictionary since 2012. Awarded (2012) the Opler Grant for Emerging Scholars by the Society of Architectural Historians (USA), she is also an Academic Member of the Landscape Institute.

Most helpful customer reviews

2 of 2 people found the following review helpful.
The Definitive Source
By A Reader
A dictionary with personality is a rare thing today, when bland collaborative work is usually the only way to deal with the deluge of information. With this third edition, Professor Curl keeps his one-man show on the road in triumphal style. The major additions since the second edition of 2006 are nearly 500 articles on landscape architecture by Dr. Susan Wilson (now acknowledged as co-author) and the restoration of the Bibliography from the first edition, expanded to over 3000 entries. The result is a book at the comfortable limit of the readable (as opposed to the merely consultable), with Curl’s familiar clarity of description, exquisite line and stipple drawings, and defense of architecture as a sacred trust for the humans who are obliged to inhabit it.
Like any good Dictionary, this one draws the reader into random and potentially endless wandering. For instance, I was intrigued by mention on the front flap of a ‘battle garden’, and discovered that one Irish example was made as “a talisman to keep the Turks at bay: it succeeded.” A reference there to ‘horn-work’ educated me on the difference between cat’s ear, lion’s ear, dog’s ear, and ass’s ear horns. A glimpse of nearby Victor Horta had me flipping back to Art Nouveau and Art Deco, with a radiant drawing of the Hoover Factory entrance; to Artisan Mannerism (“which some commentators have found refreshing and others distressing”) and so on to Mannerism, by way of a long detour on Charles Rennie Mackintosh.
Professor Curl’s once unfashionable, anti-Modernist stance is now almost mainstream, as many would agree with his devastating understatement on Walter Gropius: “the environments created as a result of his influence have not proved to be either agreeable or functional.” While this edition excludes entries on living architects, Frank Gehry, Daniel Libeskind and their kind get their come-uppance under ‘Deconstructivism or Deconstructionism’. However, such judgments are embedded in information as copious and impartial as one could wish. There are also new friends, for instance in the much-expanded article on ‘New Classicism’. My only regret is that there are no entries on buildings (except the Pantheon). Should I want to know who were the architects of the Empire State Building or Schloss Neuschwanstein, I would have to look on the Internet, which threatens to make all paper reference works redundant. This Dictionary more than justifies its medium, for beside the obvious advantage that one can trust all its facts, dates, and sources, it has the feeling of a real communication from mind to mind.

0 of 1 people found the following review helpful.
It may have everything in it but on line it ...
By PB
It may have everything in it but on line it if you don't know what it is you are looking for you can't put a 'like' in and retrieve the call out.

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[Z413.Ebook] Download PDF The Hellenistic Philosophers, Vol. 1: Translations of the Principal Sources, with Philosophical Commentary, by A. A. Long, D. N. Sedley

Download PDF The Hellenistic Philosophers, Vol. 1: Translations of the Principal Sources, with Philosophical Commentary, by A. A. Long, D. N. Sedley

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Volume 1 presents the texts in new translations by the authors, and these are accompanied by a philosophical and historical commentary designed for use by all readers, including those with no background in the classical world. With its glossary and indexes, this volume can stand alone as an independent tool of study.

• Sales Rank: #616811 in Books
• Published on: 1987-04-24
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x 1.18" w x 6.02" l, 1.82 pounds
• Binding: Paperback
• 524 pages

From the Back Cover
In this book the authors present the texts in their own new translations, and these are accompanied by a philosophical and historical commentary designed for use by all readers, including those with no background in the classical world. With its glossary and set of indexes, this volume can stand alone as an independent tool of study.

Most helpful customer reviews

21 of 21 people found the following review helpful.
Review of Long and Sedley's 'Hellenistic Philosophers'
By Ryan Mease
In their introduction, the authors compare this work to the Raven and Kirk collection of reports on the Presocratic philosophers. In many ways, this is a very accurate comparison. Long and Sedley present a great collection of reports on the Hellenistic philosophers, many of whom (most of whom) do not have any surviving first hand accounts of their lives and doctrines.

Chapters are divided into schools, and subdivided into topics (ethics, logic, etc.). After each subdivision, the authors offer insightful analysis of the doxographical material that aids the reader's understanding of context, and usually works to put the various (sometimes divergent) reports together.

One important distinction between Raven and Kirk is the accessibility of this collection. Long and Sedley have separated the English translations in a separate volume, and placed the original Latin and Greek sources in a second volume. This makes the work less intimidating.

There were a few awkward cuts and organizations, but nothing to make this any less than a top-notch piece of scholarship. It was much better than Hackett's 'Hellenistic Philosophy'.

9 of 10 people found the following review helpful.
Content is great, but the product is garbage
By Richard S. Martin
Content is great, but the product is garbage. The newest edition is produced from a scan of an older edition. Text is pixelated. Binding is horrible. Utterly unacceptable for a $50 book. You should be ashamed of yourselves, Cambridge University Press.

2 of 3 people found the following review helpful.
A classic
By BW
An essential resource for everyone interested in studying all the available fragmentary texts of and about the Hellenistic philosophers – especially the Stoics, Epicureans, and skeptics. Volume 1 contains English translations with elaborate commentary and indexes. (Volume 2 contains the original Greek and Latin texts.)

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• Sales Rank: #3308896 in Books
• Published on: 1978-12
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 856 pages

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Meat and meat products constitute one of the most important foods in western societies. However, the area of meat biotechnology is not as comprehensively covered as other areas of food biotechnology. Missing from this area are the recent developments for better sensory and nutritional quality as well as improved safety.

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• Sales Rank: #6811576 in Books
• Published on: 2008-09-12
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x 1.13" w x 6.14" l, 1.97 pounds
• Binding: Hardcover
• 500 pages

From the Back Cover

Meat and meat products constitute some of the most important foods in western societies. However, the area of meat biotechnology is not as comprehensively covered as other areas of food biotechnology. Missing from this area are the recent developments for better sensory and nutritional quality as well as improved safety.

The main goal of this book is to provide the reader with the recent developments in biotechnology and their applications in the meat processing chain. To achieve this goal, the book is divided into four parts. The first part deals with the use of modern biotechnology applied to farm animals. The second part focuses on the recent biotechnological developments in starter cultures for better meat fermentation. The third part discusses current approaches to improve the quality and nutritional properties of meats. The final part presents the latest advances in protection against foodborne pathogens, and other recent trends in the field. Written by distinguished international contributors, this book brings together the advances in such varied and different biotechnological topics.

About the Author
Dr. Fidel Told� is a Professor in the Department of Food Science at the Instituto de Agroqu�mica y Technolog�a de Alimentos in Valencia, Spain.

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Poets. Geniuses. Revolutionaries.

The members of the legendary band Lemonade Mouth have been called all of these things. But until now, nobody's known the inside story of how this powerhouse band came to be. How five outcasts in Opoquonsett High School's freshman class found each other, found the music, and went on to change both rock and roll and high school as we know it. Wen, Stella, Charlie, Olivia, and Mo take us back to that fateful detention where a dentist's jingle, a teacher's coughing fit, and a beat-up ukelele gave birth to Rhode Island's most influential band. Told in each of their five voices and compiled by Opoquonsett's "scene queen," freshman Naomi Fishmeier, this anthology is their definitive history.


From the Hardcover edition.

• Sales Rank: #500854 in Books
• Brand: Ember
• Published on: 2011-05-24
• Released on: 2011-05-24
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .81" w x 5.32" l, .59 pounds
• Binding: Paperback
• 352 pages

Amazon.com Review
A Letter from Author Mark Peter Hughes
Not long after my second novel, Lemonade Mouth, was published in 2007, I got a strange and unexpected phone call at home from a Hollywood producer named Debra Martin Chase. Debra is the producer who made the movies The Princess Diaries, The Sisterhood of the Traveling Pants, and The Cheetah Girls, among many others. As I stood there with the phone to my ear and my jaw hanging open, she told me that she’d read and loved Lemonade Mouth, and that even though she didn’t yet have a deal in place, she was determined to make a movie out of my book.

I couldn’t have been more astonished if it had started raining lemons.

I wrote Lemonade Mouth, the story of five high-school freshman outsiders who meet in detention, form an unlikely band, and start a revolution destined to change the world, because I’ve played in bands and know something about what it’s like. Each member of the band called Lemonade Mouth--Stella, Olivia, Mo (Mohini), Charlie, and Wen--are different parts of me. Stella is a shout-through-a-megaphone rule-breaker who wants to make a positive difference but doesn’t always get it right. That’s me. Olivia is shy and quiet and sometimes has a hard time talking about the important things. That’s me too, sometimes. What Mohini and I share is that we both straddle two different cultures. Mo’s family moved to the U.S. from India, while I was born in England, grew up here in America, and have often felt the crosscurrent like a hot dog floating in a cup of tea.

In the summer of 2010, the Disney Channel started filming its adaptation of my novel (turned out, Debra’s promise of “Determinate”-tion was more than just words), and my family and I were lucky enough to get to visit the set. The filmmakers and cast were warm and welcoming, and I have wonderful memories of those days.

What a surreal experience it was to stand among three hundred extras and watch talented actors perform a concert as characters I had created in my kitchen. At one point, when Hayley Kiyoko (who plays Stella) started calling out to the crowd about how everyone should be nice to each other--a speech that uses my own words and heartfelt convictions--I had a lump in my throat the size of Rhode Island. My wife actually burst into tears. Out of anyone on this planet, she knew best what this meant to me--to all of us.

I’m actually in the movie. I’m an extra in the Halloween Bash scene. Pretty much whenever you see the principal standing in the audience, look over his shoulder and you might notice a guy dressed like a bee. That’s me. It’s just a little thing, but it sure does make me happy.

To all the Lemonheads out there: Be heard! Be strong! Be proud! And keep doing what you love, as I have. You never know what Destiny has in store for you.

--Mark Peter Hughes

From School Library Journal
Grade 6 Up–Five freshmen meet in detention one afternoon and begin to sing along with a radio jingle. Thus begins the story of Lemonade Mouth as told by the bandmates and friends in first-person diary/journal entries. No one likes to be known as the fat kid, the new kid, the nerd, or the freak, but these teens are empowered by their newly formed friendships and empower others as well. Rival band Mudslide Crush is no match for the funky style of Mo on bass, Charlie on the congas and timbales, Stella on ukelele, Wen on trumpet, and Olivia's vocals. School, family, and romance are all pressures building in these teens' lives, and forming the band helps them to cope with the world. They meet in the school basement, where other geek clubs have also been relegated, and their mascot is the Mel's Frozen Lemonade machine in the hallway. One day, it is removed, and Stella and her friends protest when they find out that a soda company has signed an exclusive deal with the administration to sell only their company's products in exchange for a new sports scoreboard. When Lemonade Mouth plays the school Halloween bash, they bring up the lemonade-machine issue, causing a student riot and ending with the musicians back in detention. When they are told that they cannot play in the talent show as punishment, other students call for their reinstatement. Lemonade Mouth tells a tale of underdogs getting a break in the world.–Corinda J. Humphrey, Los Angeles Public Library
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
When five freshmen at Opoquonsett High in Rhode Island find themselves in detention, they form an impromptu band composed of unusual instruments (including a ukulele) and perform quirky tunes inspired by dentist jingles and dying cats. Their music earns them local fame. Hughes tells the story of the band, Lemonade Mouth, through alternating, first-person narratives by the band members, strung together with a fan's additional narrative that chronicles the band's many misadventures. Different fonts and radically different verbal styles help identify the six different voices and make the long story easy to follow. A side plot involving a student-led fight to save the school's one organic frozen-lemonade machine adds nonconformist ideology and supplies the band's name. Hughes' obvious musical knowledge contributes greatly to the verisimilitude; young musicians into indie music will appreciate this romp, which includes some satisfying romantic moments and many epiphanies as the band members work out their individual problems by working together. Debbie Carton
Copyright � American Library Association. All rights reserved

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16 of 17 people found the following review helpful.
Richie's Picks: LEMONADE MOUTH
By N. S.
"Lonely day

After the storm has come and gone

There will never be another tomorrow like today.

In my own way

I wait for the light of dawn

I look for a sign of things to come and change to stay."

--Lemonade Mouth, "Back Among the Walls," from their CD, Live at the Bash.

LEMONADE MOUTH is the story of five socially-struggling high school freshman who come together through a combination of chance and the wisdom of a sorely misused music teacher to form the legendary band, Lemonade Mouth. It all begins on the afternoon when the five students end up in Freshman Detention which is scheduled in the dungeon-like basement classroom of the aforementioned music teacher, Mrs. Reznik.

There is Stella who has begun her freshman year at Opoquonsett High in Rhode Island as the new kid in town. A frustrated student in a family of geniuses and step-geniuses, her mom's new research job has taken Stella unwillingly across the country. She has landed herself in detention for an act of rebellion in response to having previously been sent home for wearing a tee-shirt whose artwork had never been at issue in her old school back in Arizona. But the vice principal has told her, " 'Opoquonsett High doesn't have a dress code, exactly. It's just that we have an unwritten line and that shirt crosses it.' " (As my friend Skeezie Tookis would say, "What kind of stinkin' rule is that?")

There is Wen who is struggling with his feelings regarding his father's buxom twenty-something girlfriend, Sydney. In regard to the humiliating incident in social studies that has landed him in Mrs. Reznik's room, receiving detention as a result of that debacle is the absolute least of Wen's problems.

Mohini must be considered the least likely of the quintet to be in any kind of trouble. The overachieving daughter of immigrants, she has recently exchanged "a lifetime of social obscurity," along with her consistent obedience to her father's strict rules and to her own long-range school and career Plan, for the thrill of being seen around school with an older student who is both a popular soccer star and part of the band Mudslide Crush. It was he who persuaded Mo to skip her Independent Study class; they were subsequently seen and reported.

Meanwhile, Charlie is struggling with his obsession over how fate chose him to be born fine while his identical twin Aaron was stillborn as the result of being strangled by the umbilical cord. Charlie perceives Aaron as a harsh voice in his head who constantly points out what a failure Charlie is. In this instance, he has ended up in Mrs. Reznik's room through his failure to properly aim the spitball that was meant to retaliate for the one with which a renowned school bully had just nailed him in the face.

Finally, Olivia has spent most of her life living with her grandmother after her mother abandoned the family and her struggling father was convicted of murder in a failed store robbery. She finds herself in detention with Stella, Wen, Mo, and Charlie for skipping American lit, where she was facing another in the series of chapter quizzes that "strip away the fun of a good book." Instead of going to class, she gets caught hiding out reading the rest of the book.

Together, as a result of an incident in detention and the subsequent encouragement of Mrs. Reznik, the five pool their hidden talents -- musical and otherwise -- to become the pride of the unsung average and oft-picked on kids at their high school and far beyond it. And, as might be said, the rest is musical history.

"HOLD IT HIGH! RAISE IT UP!"

My heart is singing every time my mind pulls me back to what I just experienced. Count me in as a the #1 charter member of the Lemonade Mouth Fan Club.

39 of 49 people found the following review helpful.
Not for pre-teens
By JL
I haven't read this entire book but bought it for my 12 year old son for his birthday as his first kindle book. He and my 17 year old daughter had seen the Disney movie and loved it. While reading the first chapter, he came in to me and said that this book was not appropriate for him. After reading graphic details of one of the boys interest in his father's 26 year old girlfriend and her body and describing the nude pictures he had found of her, my son knew this was probably not the kind of book he should be reading. The boy in the book then went on to detail what happened in his pants as he obviously was quite stimulated by these pictures. Even my 17 year old said she couldn't believe Disney would pick this book to make a movie out of, knowing that young kids would also read the book. The book may be great for older kids, maybe 15 or so. But I really don't think what my son read was appropriate for 12 year olds. I did not see any other review that describes these kinds of things, so hopefully this will help someone else not waste their money.

5 of 6 people found the following review helpful.
poets. geniuses. revolutionaries. GREAT BOOK!
By A Customer
This energetic book begins as a playful story, but develops into something completely different. Five freshman at Opequonsett High School all have certain unconventional aspects of their lives that pull us in. These five characters create a strong but unlikely bond. As their band Lemonade Mouth blossoms so do they. Wen, Stella, Mohini, Charlie, and Olivia begin a band that changes their school and alomost everyone in it. What begins as fun during detention turns into a serious commitment that will have everyone talking. Although some issues may seem trivial [like an organic frozen lemonade machine, a cat lover's sadness, or probably the first ukele ever used in a rock band], this novel addresses issues that some people are still afraid to face. Mark Peter Hughes once again amazes us all with his talents as a writer: his uncanny knack for worming his way into many teens' minds and ability of turning our daily occurrences into something profound. This is a book is a must-read and will leave everyone cheering for an encore.

-elena

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• Sales Rank: #3001147 in Books
• Published on: 2009-10-01
• Original language: Spanish
• Number of items: 1
• Dimensions: 1.04" h x 6.10" w x 9.04" l, 1.63 pounds
• Binding: Paperback
• 440 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excelente Libro
By Lucas
Uno de los mejores libros sobre poker en espa�ol.

Por eso es que le doy 5 estrellas, ahora resta leer el volumen II

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Como Ganar Torneos de Poker de Mano en Mano / Winning Poker Tournaments One Hand at a Time (Spanish Edition), by Jon Turner, Eric Lynch, J PDF

Como Ganar Torneos de Poker de Mano en Mano / Winning Poker Tournaments One Hand at a Time (Spanish Edition), by Jon Turner, Eric Lynch, J PDF

Como Ganar Torneos de Poker de Mano en Mano / Winning Poker Tournaments One Hand at a Time (Spanish Edition), by Jon Turner, Eric Lynch, J PDF